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Episode 137 The Dream Show: Things that go bump in the night

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Things that go bump in the night

Have you ever woken from a dream only to find yourself in another dream? At first you think you are awake, but it slowly dawns on you that you’re still dreaming. And then it happens again, and again, until you might be excused, on finally waking up, to question your reality. Are you awake or still dreaming? How do you know you’re awake (after all, you were fooled in your dream)?

Or have you ever got into bed and felt the covers lift behind you, as if an invisible someone else has slipped in alongside you? Or have you woken in the middle of the night to see ghostly goings-on unfolding before your eyes or ringing in your ears? Are you as awake as you think you are, or are you half dreaming?

The Dream Show with Jane Teresa AndersonIn this episode we explore these, and also look at the movie A Nightmare on Elm Street, where the characters experience some of these phenomena, and more. And, while we’re there, we interpret the nightmare in the movie as if it were a real dream.

Are other things that go bump in the night connected with the cheese you ate, the alcohol you binged, or the movie you saw just before sleep? We go there too, this episode, before ending with the intriguing – and uplifting – encouragement to change the world through your dreams, and how to do this.

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A Nightmare on Elm Street

A Nightmare on Elm Street

“What does the nightmare in A Nightmare on Elm Street mean?” asked Steve and Abbey, presenters of the PowerPack breakfast show where I interpret callers’ dreams.

I’m a movie lover, but horror is not my genre, and it took a few arm twists before I agreed to download it so I could answer the question.

“Don’t watch it alone,” Abbey warned, “I wouldn’t.”

So I watched it with my husband, Michael, and son, Euan, and right from the start we giggled with relief. Thirty-one years on, the movie was interestingly benign from a horror point of view. Maybe it was the acting style, maybe it’s the sophistication of today’s persuasive movie techniques, or maybe I’ve just listened to so many nightmares during my twenty-plus years as a dream analyst that it didn’t engage my horror buttons.

Our first exciting moment came when Euan said, Is that Johnny Depp?

Our first exciting moment came when Euan said, Is that Johnny Depp?

Our first exciting moment came when Euan said, “Is that Johnny Depp?” and we realised we were watching Johnny Depp in his first major movie role, aged 21 but looking about 14.  As Nancy’s boyfriend in the movie, he came to a very sticky end. Or did he?

How much of the movie is about a dream?

When Nancy wakes from a nightmare, is she really awake or has she slipped into a dream within a dream? Is she awake at the beginning of the movie? Is she awake when she goes back to school the morning after the first death? Is she awake when she visits the sleep laboratory?  If you’ve seen the movie, how did you feel in the penultimate scene where she steps into the dazzling bright morning light, and walks towards the car? Was she awake then?

Craven named the villain after Fred Krueger, the boy who bullied him during his adolescent years.

Craven named the villain after Fred Krueger, the boy who bullied him during his adolescent years.

Written and directed by Wes Craven, A Nightmare on Elm Street is a slasher movie, slasher being a horror sub-genre. I’m glad I didn’t know that going in. Craven named the villain, Freddy Krueger, after Fred Krueger, the boy who bullied him during his adolescent years, so it’s interesting that Nancy and her friends are all adolescents who live in fear of Krueger and what he’ll do to them.

The movie is celebrated as one of the first to intelligently explore the boundaries between illusion and reality – and between dreaming and waking life – by manipulating and confusing the audience. Craven’s original ending (spoiler alert) was for Nancy to kill Krueger by ceasing to give him her energy and time, and then to wake up and realise it had all been one long nightmare, but the studio, New Line Cinema, asked for a twist ending. Both endings were filmed, and the movie was released with the twist ending where the whole plot is a dream within a dream within a dream, with no awakening. Craven pulled out of the proposed A Nightmare on Elm Street sequel over the twist ending.

In the movie, Nancy and her friends all dream the same dream. Two of the friends die during their sleep, slashed to pieces by their nightmare ghoul, Freddy Krueger. Nancy and her boyfriend realise the same fate awaits them, so they try to stay awake for days, and days. This idea was inspired by several newspaper articles Craven had seen about Khmer refugees fleeing the Cambodian Khmer Rouge genocides who were so frightened by their nightmares that they tried to stay awake. Several died in their sleep when exhaustion prevailed.

Craven was also inspired by Dream Weaver, by Gary Wright, which explored the way we each dream up our experiences.

Craven was also inspired by Dream Weaver, by Gary Wright, which explored the way we each dream up our experiences.

Craven was also inspired by the 1970s song, Dream Weaver, by Gary Wright, which essentially explored our differing perceptions of the world, our illusions about reality, the way we each dream up our worlds and our experiences.

So on one level the film explores illusion and reality, while on another it runs past some sleep theories. Nancy is taken to a sleep laboratory where we learn a little about REM sleep and dreaming – only to realise, of course, that this episode is a dream. We learn about how staying awake for days is fatally detrimental. Severe sleep deprivation kills. And we learn about false awakenings, the dream in which you dream that you wake up but you continue in the dream.

Let’s get back to the original question:

“What does the nightmare in A Nightmare on Elm Street mean?”

In the movie, Freddy Krueger was a real life child murderer who escaped jail due to a paperwork error. The parents killed him to keep the neighbourhood safe, but his ghost returned to take revenge on their children by killing them in their sleep.

It’s helpful to look at everyone and everything in a dream as reflecting something about the dreamer’s conscious and unconscious feelings and beliefs. Freddy Krueger represents danger and risk, and the more we try to sanitise life and play safe, the more these energies are called into being. In Craven’s original ending, Nancy wakes from her dream once she confronts Krueger then withdraws her attention and energy from him. In life, when we face our fears, understand them, deal with them, then withdraw our focus and energy from them, they disappear. In this context, the nightmare is about facing – or not facing – fears about danger, risk, and safety.

In Craven’s original script, Krueger was a child molester, not a child murderer, which is telling.

In Craven’s original script, Krueger was a child molester, not a child murderer, which is telling.

The other strong thread in the movie is adolescent promiscuity (remember, this is the early 80s), and loss of innocence. In the nightmare, teenage promiscuity leads to slashing, mutilation, destruction, death. No matter how much parents try to protect their adolescent children, the teenagers naturally explore their sexuality, and the results – loss of innocence, guilt, emotional trauma, an end to childhood – are reflected in such nightmares. In Craven’s original script, Krueger was a child molester, not a child murderer, which is telling. As a dream analyst, I notice how common it is for young teenagers to experience violent dreams as they encounter the conflicts of leaving childhood behind and growing into independence.

Finally, for Craven, perhaps the movie is an unconscious working of the bullying he experienced as an adolescent. Bullying continues to cause pain well beyond school years – it can haunt an individual for a lifetime unless it’s confronted and addressed. Maybe Craven did just that, via Nancy.

Have you seen the movie? What did you make of it?

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Samsara Alchemy

Samsara Alchemy

I saw the movie Samsara yesterday, and awoke this morning with a New Year alchemy idea for you to do. I’ve called it Samsara Alchemy, and as I type those words something deep within jumps to attention and formulates a concept for a book by that title, so I take a note to self.

In Sanskrit, Samsara means continuous flow, the repeating cycle of birth, life, death, and rebirth – impermanence, the ever turning wheel of life. Samsara, the movie, (directed by Ron Fricke and produced by Mark Magidson), is a visual meditation on this theme, filmed over more than four years across twenty-five countries and five continents.

According to the Samsara website, the movie “explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of man’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.”

The best way to enjoy the movie is to immerse yourself in its flow, to suspend (or at least quieten) the intellect’s need for information, location, and details. Flowing frees your mind and allows you to experience a Buddhist perspective of life’s dramas.

Samsara movie mursi tribesgirlSome of the images are confronting – death, destruction, factory farming – while others are heart-achingly beautiful. Recurring close ups of eyes staring unmoving into the camera – or the camera staring deeply into eyes – interplay with panoramic bird’s eye views of the startling patterns we create as we move through life.

A favourite for me was the recurring theme of watching the sun move through a building or landscape, throwing patterns of shadows and light, followed by moonlit shadows and the passage of starry heavens before rebirth into morning light.

Samsara movie Mecca Ramadan

Mecca Ramadan

Patterns, patterns, recurring patterns, up close and grandly sweeping, patterns, patterns, recurring patterns, life, death, rebirth, continuous flow, Samsara.

Does Samsara speak to you of circles or spirals? Do you see a pattern of evolution, or devolution, within the grand recurring patterning of life (a spiral), or do you see one ever-repeating cycle, always returning to the same place (a circle), though perhaps seeing it with different eyes?

The countdown begins. Those of us who follow the western calendar are living the last day or two (give or take time zones) of 2012, about to mark the end of the old year and greet the birth of the new. Instead of writing New Year resolutions, I encourage you to immerse yourself in a Samsara Alchemy. This is what to do:

Samsara Alchemy

Samsara movie sand mandala

Begin by sitting quietly, perhaps after a meditation, and let some images come to you from your personal life during 2012. Write down the images that come to you. They might be obvious (the big events, both highs and lows), or they might surprise you (an image of a forgotten event or experience). Review your list. Make sure you have a mix of highs and lows, and a mix of mundane and unusual. Make sure your list includes some dilemmas you encountered during the year as well as some insights and epiphanies you recall.

If this seems difficult, begin again. Remember that Samsara means flow. Let it flow. Don’t approach this logically. Let images come to you.

If you enjoy words, simply take a piece of paper (as big or as small as you like), and write a single word for each image or thought that came to you. For the images that had a big impact on you, write the words in big letters, and for the images which were less impactful at the time, write the words in smaller letters. (Think of tag clouds on blog posts.) Arrange your words anywhere on your paper, at random, all over the place, or in a pattern. When you’ve finished, step back from the snapshot picture of your life in 2012, and let it speak to you.

If you enjoy art, create an artwork from your collection of 2012 images. Draw, paint, sculpt, collage, or choose any medium, then step back from your remembered vision of 2012, and let it speak to you anew.

Samsara movie babyThe idea of this alchemy is to borrow the vision of the Samsara filmmakers to create a meditation on (to paraphrase the filmmakers) “the wonders of your personal world during 2012, from the mundane to the miraculous, looking into the unfathomable reaches of your spirituality and your human experience”. Your picture will help you to see and appreciate life’s continuous flow, the repeating cycle of birth, life, death, and rebirth. As you step into 2013, consider how this perspective can assist you in choosing what you birth, or rebirth, and how you flow, as you begin a new cycle of life.

(All images are stills from the movie.)
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Episode 129 The Dream Show: A bigger life

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A bigger life

How can your dreams help you to live a bigger life, and what might that bigger life look like?

What kind of practical results can you expect to see when you understand a dream and apply dream alchemy? How might your relationship, work, finances, and communication – just for starters – change for the better, freeing you to enjoy a bigger life?

What kind of actionable ideas might you discover in your dreams? For inspiration we look at people who have become famous, or very rich, or who have received Nobel prizes by acting on ideas presented in their dreams.

How did Freud and Jung differ in their approach to dream analysis, and which saw the potential of dreams to awaken us to a bigger life?

The Dream Show, a free monthly podcast with Jane Teresa AndersonAnd just how big can a big life get? If we delve deeper into those dreams that delivered ideas for best-selling books or successful commercial applications, are there even richer rewards these dreamers could have gained from deeper analysis of these same dreams?

Listen, enjoy, and please share.

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Asking God about thunder

Asking God about thunder

Emma dreamed that she could ask God one question about the world. She considered, deeply, and then decided. “Where does thunder come from?”

By this time in her dream, God had become a more earthly Australian actor, Chris Hemsworth. He indicated the sky, teeming with rhinos. What have rhinos got to do with cause of thunder, and, more importantly, what does Emma’s dream mean? This was one of several dreams Mitch Garling, host of  Snitch Please, asked me yesterday in episode 2 of his new format podcast show.

Mitch asked me about his recurring dream of running from a shadowy figure (most recently in the guise of a giant pair of scissors), and we also looked at other dreams from his listeners, including a dream about a backward face, and one about vomiting up whole loaves of bread.

Mitch Garling, host of podcast show Snitch Please, interviewed me about dreams.

Mitch Garling, host of podcast show Snitch Please, interviewed me about dreams.

You’ll hear us chat about a range of dream topics from the scientific and historical to the oft-quoted belief that dreaming of losing your teeth means you’ll come into a sum of money.

In his intro to the show, Mitch assures his listeners they’re about to enjoy the “best 35 minutes of your life”. Great work, Mitch, on your questions, your interviewing style, and your acting skills. Acting skills? Listen in to find out!

It was only after the show, when I googled for a pic of Chris Hemsworth for today’s blog, that I discovered he played Thor, the God of Thunder, in the 2011 Marvel movie Thor. But why the rhinos? All will be revealed.

Listen, enjoy and please share. The dream interview begins at 7 minutes.

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Podcast Squared Interview

Podcast Squared Interview

Do hippos dream? Where did you dispose of the body? How does getting people to talk through a dream help them to better understand the real world?

Do hippos dream?

Do hippos dream?

Andrew Johnstone, host of Podcast Squared, dreamed up a bundle of questions from quirky to scientific, when he interviewed me for episode 102, Only in Dreams. Andrew’s show presents podcast reviews and interviews with podcast hosts, so he was interested to know why I decided to start a podcast, The Dream Show, three years ago.

Along the way you’ll hear us discuss dreams of falling, being lost in a city, death, buried bodies resurfacing, and going back to school, and address Andrew’s big issues questions such as:

What kind of impact did the movie Inception have on the dream analysis industry?

What kind of impact did the movie Inception have on the dream analysis industry?

What kind of impact did the movie Inception have on the dream analysis industry?

How does the dream alchemy process work?

Is there any significance to the dreams we can remember versus the dreams we can’t?

Are podcasts an effective tool to be used as a supplement to other therapies?

Then, in what’s known as The Lightning Round, What does cannibalism symbolise in dreams? If you could have one superpower in the world what would it be? Do hippos dream? And, of course, that old chestnut, Where did you dispose of the body? Um, what body? Listen in to find out!

Andrew Johnstone, host of Podcast Squared, interviewed me about dreams.

Andrew Johnstone

The interview starts at the 29 minute mark, and goes for 35 minutes. Enjoy!

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Ideas from dreams

Ideas from dreams

What have Robert Louis Stevenson, Stephen King, and Stephanie Myer got in common? They’re world famous authors, they’ve written dark novels (horror or vampires), and they share similar names. But that’s not all. They’ve each based at least one of their books on a dream.

Stephanie Myer had written a chapter here and there over the years, but had never completed a book. Then one night she dreamed of an intense conversation between an “average girl” and a “fantastically beautiful, sparkly” guy who was also a vampire. They were falling in love yet the vampire, intoxicated by the scent of the girl’s blood, was having difficulty holding back from killing her. What should they do?

On waking, intoxicated by the scent of a compelling question and a good story and not wanting to lose the dream, Myer typed it out.

On waking, intoxicated by the scent of a compelling question and a good story and not wanting to lose the dream, Myer typed it out.

On waking, intoxicated by the scent of a compelling question and a good story and not wanting to lose the dream, Myer typed it out. From there she was hooked, writing every day. The book became Twilight, and the dream was embodied in Chapter 13. Within six months of the dream, the book was written and accepted for publication, then there was the movie, and to date 116 million copies of the Twilight saga have been sold worldwide. All inspired by a dream.

Stephen King is on record for rubbishing Myer’s writing ability, yet understands the dream thing, having used several of his own dreams for ideas for his novels. Misery, he told Stan Nicholls, began with a dream:

“”I fell asleep on the plane,” he recalls, “and dreamt about a woman who held a writer prisoner and killed him, skinned him, fed the remains to her pig and bound his novel in human skin. His skin, the writer’s skin. I said to myself, ‘I have to write this story.’ Of course, the plot changed quite a bit in the telling.”"

When interviewed in 26 Writers Talk About Their Dreams and the Creative Process, by Naomi Epel, King said: “One of the things that I’ve been able to use dreams for in my stories is to show things in a symbolic way that I wouldn’t want to come right out and say directly. I’ve always used dreams the way you’d use mirrors to look at something you couldn’t see head-on—the way that you use a mirror to look at your hair in the back. To me that’s what dreams are supposed to do. I think that dreams are a way that people’s mind’s illustrate the nature of their problems. Or maybe even illustrate the answers to their problems in symbolic language.”

Robert Louis Stephenson had a problem, as he described in A Chapter on Dreams in Across the Plains (1892):

For two days I went about racking my brains for a plot of any sort; and on the second night I dreamed the scene at the window - Robert Louis Stevenson

For two days I went about racking my brains for a plot of any sort; and on the second night I dreamed the scene at the window – Robert Louis Stevenson

He had been trying to find a story, “a body, a vehicle, for that strong sense of man’s double being which must at times come in upon and overwhelm the mind of every thinking creature.” His search intensified until, “For two days I went about racking my brains for a plot of any sort; and on the second night I dreamed the scene at the window, and a scene afterward split in two, in which Hyde, pursued for some crime, took the powder and underwent the change in the presence of his pursuers. All the rest was made awake, and consciously …”

It was 1866, and The Strange Case of Dr Jekyll and Mr Hyde was “conceived, written, re-written, re-re-written, and printed inside ten weeks.”

Dreams have inspired novels, art, music, and movies throughout time, sometimes arriving seemingly spontaneously (Paul McCartney awoke, in 1965, from a dream in which he heard a classical string ensemble playing a “lovely tune”, which he captured immediately on piano and named Yesterday) and sometimes arriving as solutions to artists’ block or petitioned prayers to the creative muse before sleep.

Albert Einstein traced the roots of his Theory of Relativity to a dream he had as a young boy. He dreamed he rode a sledge, faster and faster until he was travelling as fast as light.

Scientists have slept on unresolved problems and awoken with dream solutions such as molecular structures (Friedrich Kekule’s 19th century dream of a snake swallowing its tail led to his realisation that the molecular structure of benzene was a ring, not an open-ended chain), and key experiments (Otto Loewi dreamed a neurophysiology experimental method that led to his 1936 Nobel prize for his discovery of chemical neurotransmitters).

Many an inventor has taken a problem to bed and found the solution in a dream.

Many an inventor has taken a problem to bed and found the solution in a dream. How did a dream of cannibals lead to the invention of this sewing machine?

Many an inventor has taken a problem to bed and found the solution in a dream. In the 1840’s, Elias Howe was sweating on the problem of inventing a sewing machine that worked efficiently. He dreamed he was surrounded by cannibals who were about to eat him. Each cannibal thumped his spear on the ground, until, just before the critical moment, Elias noticed that just behind the tip of each spear was a hole. He woke up in the nick of time, and that’s where the hole in the sewing machine needle is to this day. Howe patented the lockstitch mechanism (where the needle takes the thread through the fabric and locks it with a second thread from a spool beneath the fabric) in 1846.

In each of these examples, the dreamer was satisfied with the idea or solution the dream presented, though closer examination of the dreams would have added personal insight.

In each of these examples, the dreamer was satisfied with the idea or solution the dream presented, though closer examination of the dreams would have added personal insight.

In each of these examples, the dreamer was satisfied with the idea or solution the dream presented, though closer examination of the dreams would have added personal insight. Just look at Howe’s theme about sweating on being eaten alive! The search for a solution to the sewing machine problem was potentially consuming him. And King’s dream theme explores unconsciously feeling ransomed and restricted by fear of vulnerability.

Dreams are the result of your dreaming mind and brain processing your conscious and unconscious experiences of the last 24-48 hours. These experiences include emotions, feelings, issues, challenges, unresolved problems, new learning, new or shifted  perspectives, ideas, and insights. These recent experiences are compared to similar past experiences (which is why you often see symbols from your past in your dreams) and your dreaming mind then either consolidates your long held beliefs about life or creates new ones. In this way, interpreting a dream enables you to understand your mindset, the old beliefs that work well for you, the old beliefs that keep you stuck or work against more beneficial outcomes, and the new beliefs and fresh perspectives that will influence you into your future.

Recurring, unresolved dreams usually reflect recurring, unresolved issues or ways of seeing the world or seeing a problem. On those magical nights when your dreaming brain gets past old stuck beliefs and ways of seeing the world, you may wake up with a brilliant idea, whether that is an insight into a relationship issue, a new way of doing business, a solution to writers’ block, or a long sought plot for a novel.

You can precipitate this by contemplating the precise problem you want to solve as you fall asleep. Clearly Robert Louis Stevenson and Elias Howe did this. These days we call it dream incubation.

What you discover about yourself – and your unconscious mind – may make the difference between succeeding and failing with your idea.

What you discover about yourself – and your unconscious mind – may make the difference between succeeding and failing with your idea.

If you awake from a dream with a eureka moment, or if you’re directly inspired by the storyline or dream metaphor to create a product, service, business, or work of art, go ahead! If you’d like to discover additional personal insight, set aside some time to explore and interpret your dream. What you discover about yourself – and your unconscious mind – may make the difference between succeeding and failing with your idea.

PS Have you ever been inspired by a dream to create something? Do share your story here!

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Cheese, alcohol, movies and dreams

Cheese, alcohol, movies and dreams

Does the movie you watched last night, the cheese you ate after dinner, or the whisky you knocked back all evening affect your dreams? Might a hot night, a thunderstorm, a full bladder, a rattling window, a screeching mosquito, or a headache explain away a weird dream?

Think of the movie as having prompted issues that need your deeper attention.

Think of the movie as having prompted issues that need your deeper attention.

Yes, and then again, no! Let’s start with the movie. If a movie really affects you, your dreaming mind will often process the parts that resonated with your emotions, personal issues, beliefs, and life experiences. Your dream may or may not use some of the symbols from the movie, but whatever the dream, do not dismiss it as caused by the movie. Think of the movie as having prompted issues that need your deeper attention.

How about that cheese or alcohol? The idea that cheese causes bad dreams is an old wives’ tale, though body sensations such as indigestion, thirst, cold, a full bladder, a blocked nose, and numbness can get picked up by your brain and woven into the storyline of a dream.

Body sensations such as indigestion, thirst, cold, a full bladder, a blocked nose, and numbness can get picked up by your brain and woven into the storyline of a dream.

Body sensations such as indigestion, thirst, cold, a full bladder, a blocked nose, and numbness can get picked up by your brain and woven into the storyline of a dream.

So your indigestion might turn up in a dream as a python coiling around your waist, the thirst as a shift in scene to a desert, the cold air as a passing ghost, or the numbness as a lost limb, but these will vary from person to person and from dream to dream. Again, the important thing is not to dismiss your dream as caused by the cheese, cold, or thirst, but to ask why your dream has chosen a certain symbol or way of processing the sensation. That symbol is meaningful, as is your dream. It tells you about how your mind works, and that’s the object and power of dream interpretation.

The rattling window might become the sound of a roulette game in one person’s dream, a cattle train speeding by in another person’s dream, and a trash bin being emptied in someone else’s dream. How the dreaming mind interprets the intrusion, and how it goes on to incorporate it into the dream storyline, delivers meaningful insight about the dreamer.

Binge drinking can knock out dreams for a few hours, but if you sleep long enough you’ll experience more intense dreams towards morning.

Binge drinking can knock out dreams for a few hours, but if you sleep long enough you’ll experience more intense dreams towards morning.

So never dismiss any dream.

Oh, about the alcohol. Binge drinking can knock out dreams for a few hours, but if you sleep long enough you’ll experience more intense dreams towards morning. It’s as if the dreaming mind has to squeeze all the dreams in at the end of the night, once the worst of the alcohol is out of your system.

These intense dreams are ‘REM Rebound’ dreams. (REM refers to the Rapid Eye Movement sleep phase where we do most of or dreaming). Too much alcohol blocks REM in the early hours so, come morning, it’s rebound time. And, yes, those dreams are meaningful, so don’t dismiss them.

[Extract from 101 Dream Interpretation Tips, Jane Teresa Anderson]

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A Dangerous Method

A Dangerous Method

Have you seen A Dangerous Method*, the movie about Sigmund Freud and Carl Jung’s intense relationship from first meeting, through the birth of psychoanalysis, to their professional and personal falling out? Along the way, Jung (Michael Fassbender), shares some of his dreams with Freud (Viggo Mortensen), and you might enjoy, as I did at the cinema on Friday evening, listening to their thoughts and insights from their increasingly different points of view. If you’ve studied the popular literature on Jung, the dreams will probably be familiar to you, but they’re short and sweet on film which makes them all the more accessible.

Freud saw dreams as revealing his patients’ neuroses while Jung saw dreams as revealing a person’s potential for living a bigger life.

Freud saw dreams as revealing his patients’ neuroses while Jung saw dreams as revealing a person’s potential for living a bigger life.

One of the biggest differences between Freud and Jung’s clinical approaches to dreams was that Freud saw dreams as revealing his patients’ neuroses while Jung saw dreams as revealing a person’s potential for living a bigger life. Freud focused on rigid scientific diagnosis (according to his theories) and cure, while Jung allowed a more spiritual, mystical, flexibility to influence his analysis of dreams.

And of course there’s lots of sex, in Freud’s analyses and in Jung’s relationship with Sabina Spielrein (Keira Knightly), the young woman suffering hysteria who became the first patient Jung treated with Freud’s new talking cure (psychoanalysis).

Toward the end of the film, Jung describes his apocalyptic recurring dream, which he believed was precognitive of the coming apocalypse, World War I. Yet as you listen you’ll notice the metaphor of personal apocalypse as he slides into his nervous breakdown from which he later emerged, the wounded healer.

Listen to the dreams, and have a think about the kind of dream alchemy you might prescribe for each one.

Listen to the dreams, and have a think about the kind of dream alchemy you might prescribe for each one.

If you’ve followed my work, you’ll know that one of my key approaches is to look for limiting beliefs, reflected in dreams, and to assist the dreamer with dream alchemy to transform such beliefs into ones that allow the person to grow into his or her potential, to live that bigger life. Go see the movie. Listen to the dreams, and have a think about the kind of dream alchemy you might prescribe for each one.

* Directed by David Cronenberg, A Dangerous Method, is based on John Kerr’s 1993 book, A Dangerous Method. The screenplay was adapted by Christopher Hampton from his 2002 stage play The Talking Cure.

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The beholder

Thank you for your help

 

The beholder

Beauty is in the eye of the beholder. What you see is what you get, depending on how you see it.

As your eye changes – as your experiences change – so does what you get.

Have you noticed how a favourite story from childhood is different when you reread it as an adult? Or how the message of a movie can change from one viewing to the next? Or how even a non-fiction book can seem to impart different information when you review it years later?

Beauty – and all other value judgements and interpretations of life – is also in the ear, mouth, nose, skin, mind, heart and soul of the beholder.

Have you noticed a difference in what you get from reading a story to what you get from hearing it?

Have you noticed a difference in what you get from reading a story to what you get from hearing it?

Have you noticed a difference in what you get from reading a story to what you get from hearing it?

If you’re primarily a visual person, you may feel you get more from reading an article than from hearing it, and if you’re primarily an auditory person the opposite will probably be true.

Yet the challenge of listening as a visual person focuses your attention in a different way, and what you get from listening may be quite different from what you get from reading. And vice-versa.

Test this by listening to this month’s episode, episode 122, in which I read four of my blog articles, all interlinked upon a theme. Oh, and of course there’s a bit of chat too.

This is what you get in this episode, depending on how you get it!

The Dream Show, a free monthly podcast with Jane Teresa Anderson

This is what you get in this episode, depending on how you get it.

What’s the moral of The Princess and the Pea? If you were to sleep on twenty feather beds piled high upon twenty feather mattresses, would you feel the pea the Queen had placed beneath this luxurious mountain of a bed, and would you mention your discomfort to your royal hosts in the morning? There are life lessons ripe for learning here.

Far more uncomfortable than a pea under the mattress are those dreams where you feel over-the-top loss, devastation, rejection, betrayal, anger, or other painful emotions. Why do we have these kinds of dreams from time to time, and what do they mean?

In this episode, we also take a light-hearted look at life through the eyes of a dog and cat, explore how we interpret and misinterpret waking life, and interpret a dream at four different levels – physical, mental, emotional, and spiritual.

This is a power-packed episode that will broaden and deepen your approach to dreams, and get you thinking again about the goals you pursue in life. Enjoy.

Listen here

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